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Friday, March 26, 2010
March plein-air---early spring on Indain Creek
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Sunday, March 14, 2010
March Morning - Plein-air
Daylight Savings time again, and this morning was beautifully sunny and warm. Thank Goodness, because I have been so cold these days. I don't understand that at all, but at least I had enough energy to load my car with my plein-air stuff, just 3 things, and drive about 1/2 mile from the house to find a good quiet spot along Indian Creek. I was looking for the beaver damns I knew to be here, but saw that they had been taken out to allow the water to flow more easily thru the canyon. This is a good thing, but it probably won't be too long before the beaver have their damns back up! I felt a bit dauted by the scene, however, as there are a lot of willows, and grasses, rocks, and mud-----but I was lucky enough to be able to simplify the scene by squinting, and doing the thumbnails that are so important and help you to get what you want of the scene. I used Uart sanded paper, 7 x 12---mounted to an 8 ply. mat board, and it was really nice to work on. I drew my scene in, using a viewfinder, with a # 244 nupastel, getting the darks where they needed to be. Going thru my mind was " darkest darks, lightest lights , most easy color" Well, a lot of things were going thru my head! When I have my value drawing on the paper, I used alcohol to melt it down and make a very loose, painterly under painting. It dries very fast, and I was ready to go into it with color. I used a wide array of pastels, hard, mediums , and then finished with my amazing Terry Ludwigs Plein-air set. The colors in the area are plenty muted as its not even spring yet, and these colors did a great job. I had a wonderful time, and it was about 2 hours in all.
Saturday, March 6, 2010
Winter light--Our Willows
I spent yesterday morning, in doors doing this one in Pastel. Its on colorfix board, with a simple watercolor underpainting. I recently read in Stapleton Kearn's Blog a nice way of thinking of the underpainting. He wrote---"An underpainting is a way of separating the problems of drawing and design from the problems of color"---And that works for me. You need to think of the underlying abstract patterns that hold your paintings together. Doing your Notans.......Dark/light explorations are well worth the time and thought it takes, and makes all that follows easier. Anyhow, I am really trying to learn these things. This is a snow scene on the ranch on Foothill---Winter willows are just so pretty, with the reds and pinks in them, add the light and maybe a painting is born!
Monday, March 1, 2010
Last day of February, 2010---spring on the way!
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