As we drove into the parking area at the Senior Center, Kim was going out the back door to her truck and we got to met her right then!!! She is so gracious, pleasant, warm, and genuine. Really a nice gal. I was so happy to see that in her, and it goes well with her artwork. She also seems to be a bit shy, but very personable, good speaker, and so polite! We sat with the Sierra pastel society members, and really enjoyed a great demo.
She told how she comes up with an idea, weather she plans to use photographs to plan a comp, or if she is out doing plein-air. She says while is always about the light- -light as it touches things or places, its also about a "mood" So, using composition, and color, she tries to capture a certain light , and mood in her work. She begins with a Notan Drawing, and after figuring out which one she will use in her sketchbook, she then draws that notan right onto her pastel support. Of course many hands went up, and folks were asking" what do you use to draw your notan with" - -and " Do you always use a sanded paper?" and the normal materials- used sort of questions. Kim answered all so very clear and politely, so easy to understand. I will post the few pictures I took while there. I was so busy listening and watching , plus my good camera is being repaired, so I only took a few.
Here, she is beginning to draw out her notan,, using the #244 Nupastel, which is a dark blue-violet. She also said she mostly uses the Wallis Belgium Mist paper, and has it dry-mounted to foam-cor by her framer. She really was not happy about turning her back to do her work, but that could not be helped. She is so polite!
This shot depicts her Notan, after she has used turpentine and a Bristol brush to wash the pastel, and she used graceful large strokes in order to capture the gesture of the tree and the landscape. The flash is on in my camera, and so the wetness reflected back and it looks shiny. She did get 4 values in this value-map notan, counting the color and value of the paper. Even the notan was beautiful, and you could tell easily how the picture would finnish!
Here is the first blocking in of the painting, going all over the picture, and thinking of value all the time. She talked about how she works, folks wanted to know how she thinks as she works, how she makes choices in both color, and value and her strokes. She was so interesting to listen to. you could tell when she got quiet she was into her painting and thinking about it, not all us people! So that also helped us understand that when we are in deep thought, doing the work, our minds even get quiet, and intuitive- - -no chatter! We have shifted over to the left-brain! Watching the painting take place, and the light begin to come thru was great.
This above picture is where she left things. You sure could see the light coming thru, and she said there were a couple of things she needed to think about, and maybe change. She talked about line, shape, mass, value and the importance of doing your notan. The sky , while having a lot of light, was not resolved. She wasn't sure yet about that. There was a couple of triangle shapes she needed to resolve as well, and as time was running out this was a good place to take questions and talk about what she had done. It was great to listen to a artist talk about the struggles of painting, and the joy of painting, too.
This is the last shot I took, she is talking about value-choices and other interesting things. I really enjoyed the day. Carole had a great time and met Urania Christy Talbolt as well!! We all did, she is so nice. Carole is the Sister to the BestBrella lady, and so sold one to Urania! So she had a good day, too.
