Today I am posting my recent trials on learning to Paint! I have done a pastel of the rocky point I am going to paint in the studio in Oils. The Pastel is on a piece of foramcor that I put a surface of fine pumice ground, I did the painting in plein-air one morning and wasn't really happy with the surface really. But it is lightweight, and easy to put in your backpack. 2 hours in to this, this is where I was.
And then this is how far I am on my block-in on the Oil -
Now I am letting it dry so , I can then go into it and learn how how to do all that---I will use retouch varnish, by Damar, as my medium is by Daniel Smith and is with Damar Oil- Now I can think about the changes I would make or how I would finish this. Interesting for sure.
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Saturday, April 24, 2010
Tuesday, April 20, 2010
Planing a studio painting, using all materials for reference
Lately I have been trying to plan a painting of a rocky out crop near our ranch In Dutch Valley. It has caught my attention for years, as I I have seen it in all times of day and light. It can appear very interesting. I have recently done a plein -air if it in pastel. It was a struggle, I washed the surface off and tried again in my studio using photos I had taken that day. I was not to successful. I have gone back since for more photo's, and will continue to do so. I just am not sure of the right way to view it. From down low, or from equal elevation looking at it from across the draw, morning, evening or what? I would like to come up with a composition, then use all my materials for an indoor work with oils-----So to that end I proceed.
Today, using photo's and the first plein-air, I painted with Gouache on stretched Grey toned Canson Mi-teintes, which is a wonderful paper. Since it had been stretched, then dried over night, I could use plenty of water while painting and not get any warps or wrinkles----This is how it came out---- I didn't like the lower tree, so I wiped out the paint. I paused to think what to do----I like that gouache paint dries so quickly.
I decided, since this is a fact finding effort, also a learning effort for both compostions and mixing color using white, that I didn't do to badly. I feel I learned a lot, and decided to go ahead with corrections and plans for a future painting, using my pastels. They really did help me go head and continue planning. This is where I stopped.
Thursday, I get a lesson in oils with Ray Freeman, and hope to use this as a subject. I have many pictures, and am still doing thumbnails with pencil for a better composition. Using gouache today as it snowed outside my window was fun and I plan to use this paint again. I do really like the canson papers for pastels , too. I experiment with many surfaces.
Today, using photo's and the first plein-air, I painted with Gouache on stretched Grey toned Canson Mi-teintes, which is a wonderful paper. Since it had been stretched, then dried over night, I could use plenty of water while painting and not get any warps or wrinkles----This is how it came out---- I didn't like the lower tree, so I wiped out the paint. I paused to think what to do----I like that gouache paint dries so quickly.
I decided, since this is a fact finding effort, also a learning effort for both compostions and mixing color using white, that I didn't do to badly. I feel I learned a lot, and decided to go ahead with corrections and plans for a future painting, using my pastels. They really did help me go head and continue planning. This is where I stopped.
Thursday, I get a lesson in oils with Ray Freeman, and hope to use this as a subject. I have many pictures, and am still doing thumbnails with pencil for a better composition. Using gouache today as it snowed outside my window was fun and I plan to use this paint again. I do really like the canson papers for pastels , too. I experiment with many surfaces.
Thursday, April 15, 2010
Out doors in! April under the willows.......
Finally I got out there again. This time in one of the fields on the ranch in Diamond Valley, this spot shows the water coming along Indian Creek, then an irrigation ditch takes from the creek. Yes its Spring--even tho we had snow a few mornings ago! The grass is trying to grow, and soon the nights will be up to 40's and 50's for the over night low and all things will be growing everywhere! This one was a bit hard for me, with all the water reflections and the many willow trunks and the dappled light effects going on----I do hope you can get the idea here. Took about 2 hours of pure confusing fun! Dogs were swimming, and hunting, and ducks were going over head, quaking. Its a great place in the mornings, a huge field and all the piece and quiet you would need.

Here are a couple shots I want to share with you all, This was the last time I did an indoor pastle at the house in Dutch Valley, and I try to use the kitchen for painting with Pastel as its easier to clean up in there. I have a hard time with lighting there and I think thats why I love going outdoors to paint. Here, My mouser is looking over the color choices!!!! He chose a blue, pushed it out of the box and wanted to roll it around on the floor. He has got all the mice and is bored!!! So, You guessed it, I had "blue" to sweep up and cry over. Stupid cat!!!!Thursday, April 1, 2010
Wind and cold-- indoor work-
The end of March has gotten rough, so I thought some indoor work was in order. I drew this from a photo of my big gelding, Pine's Poco Amor. He is a quarter horse, but is 16.3 hands high!! His saving grace is that he is short-coupled, making him easy to ride as he collects well. Not the smartest of horse, yet very kind.
So, I drew him in Pencil, to understand all the values I was seeing. I thought, maybe I will try to be very realist with this one. I am usually trying to be "Loose" but this time I thought I would satisfy my "detail" mode. So, I chose a 300 lb. watercolor paper and put the drawing onto that. Then loosely painted with watercolor the background wash. After that I used a " Giselle" method, and painted the horse head's values with watercolor in violet tones-----Then used the pastles to finish.
So, I drew him in Pencil, to understand all the values I was seeing. I thought, maybe I will try to be very realist with this one. I am usually trying to be "Loose" but this time I thought I would satisfy my "detail" mode. So, I chose a 300 lb. watercolor paper and put the drawing onto that. Then loosely painted with watercolor the background wash. After that I used a " Giselle" method, and painted the horse head's values with watercolor in violet tones-----Then used the pastles to finish.
I did use pastel pencils when I began, thinking I would really try for detail. Alas, I don't think I pulled that off. I don't think I am the fussy kind! Values seem to be what I see the most, and the details are mind-boggling! Anyhow, It was a great way to experiment, and really see where I am with this art " Thing" I really think I love Plein-air most. followed by, I guess, animals--and then, whatever catches my fancy! I am still experimenting and trying to learn. We call him " Switch" for his nickname.
Friday, March 26, 2010
March plein-air---early spring on Indain Creek
Todays Plein air painting was just a blast. My Friend, Carole drove over form Dayton , Nevada and we spent the day in Art! First, we went out in the field at our Ranch in Dutch Valley and painted Indain Creek on this early spring morning. I used Uart , with a underpainting using achohol and Nupastel # 244---which gave me a great start, Carole used her pastelmat which is a great surface, and did an underpainting also. We both had a very enjoyabole time. Can't wait to go again! This one is 7 x 12 inches and we painted for about 3 hours.Sunday, March 14, 2010
March Morning - Plein-air
Daylight Savings time again, and this morning was beautifully sunny and warm. Thank Goodness, because I have been so cold these days. I don't understand that at all, but at least I had enough energy to load my car with my plein-air stuff, just 3 things, and drive about 1/2 mile from the house to find a good quiet spot along Indian Creek. I was looking for the beaver damns I knew to be here, but saw that they had been taken out to allow the water to flow more easily thru the canyon. This is a good thing, but it probably won't be too long before the beaver have their damns back up! I felt a bit dauted by the scene, however, as there are a lot of willows, and grasses, rocks, and mud-----but I was lucky enough to be able to simplify the scene by squinting, and doing the thumbnails that are so important and help you to get what you want of the scene. I used Uart sanded paper, 7 x 12---mounted to an 8 ply. mat board, and it was really nice to work on. I drew my scene in, using a viewfinder, with a # 244 nupastel, getting the darks where they needed to be. Going thru my mind was " darkest darks, lightest lights , most easy color" Well, a lot of things were going thru my head! When I have my value drawing on the paper, I used alcohol to melt it down and make a very loose, painterly under painting. It dries very fast, and I was ready to go into it with color. I used a wide array of pastels, hard, mediums , and then finished with my amazing Terry Ludwigs Plein-air set. The colors in the area are plenty muted as its not even spring yet, and these colors did a great job. I had a wonderful time, and it was about 2 hours in all.
Saturday, March 6, 2010
Winter light--Our Willows
I spent yesterday morning, in doors doing this one in Pastel. Its on colorfix board, with a simple watercolor underpainting. I recently read in Stapleton Kearn's Blog a nice way of thinking of the underpainting. He wrote---"An underpainting is a way of separating the problems of drawing and design from the problems of color"---And that works for me. You need to think of the underlying abstract patterns that hold your paintings together. Doing your Notans.......Dark/light explorations are well worth the time and thought it takes, and makes all that follows easier. Anyhow, I am really trying to learn these things. This is a snow scene on the ranch on Foothill---Winter willows are just so pretty, with the reds and pinks in them, add the light and maybe a painting is born!
Monday, March 1, 2010
Last day of February, 2010---spring on the way!
Yesterday was such a sunny, cloudy, beautiful day, beginning with a morning that had skies so full of movement and color you could of watched it all day. I should of, as thats the best way to understand skies. I decided to get out there and paint! Then comes the age old thing..........Where? Are you kidding? I says to meself, as I stood in my driveway and just looked around. So I set up right in my driveway, and this is the scene north of the house. The fields are just trying to show some green. and that sagebrush hill always looks the same, and beyond it you can see clear down the valley and far mountains. My problem here is I think I made the dark Mountain, while it is close to us, a bit to large. Its hard right out there in the open, as it all looks so big! I did use a veiw-finder, did a thumbnail, and used the small pond and creek as a lead-in to take you thru the field, and back to the mountains. 9 x 12 on rose -grey canson paper. I am going to try a compostion a day, thing, sometimes in pastle and sometimes in pencil, and hope it improves my compotion skills for the entire year.Wednesday, February 24, 2010
Last weeks Oil plein-air work-----was work!
So, After a few more storms this year, and for him , a coupla shows, My friend Ray set us up to go plein-air in Oils one fine morning. I met him at the old desserted chicken ranch that belongs to my fella's cousin. We had permission to go out into the fields around this property to find a compostion for painting, it was a nice day. We set up near one another, so I could learn more about using Oils , which is new to me. I felt set to go, as I had a new back-pack with my painting stuff inside and a new 1/2 french easel to break in.....or break, which ever comes first!! This one is from Daniel Smith catalog and I hope it holds up. It was a flat- light grey day, the sky being quite silver looking----here is what I did for this endevor, my 4th plein-air in Oils. Then the very next day, my Pastel friend from Dayton, Nevada drove over to spend the day plein-air -ing with pastles! What could be better? We walked up behind the ranch here in Carson Valley and found a place that had both snow and trees. She wanted the snow, and I just wanted to figure out How to paint some of the nice trees along the path where I walk , with the pets and have spent a lot of time. Don't believe this is quite what I want---but its a start!!!! I used a pink Canson paper as I felt it went well with the greens of both the tree and the sage........My comp. needs work, paths aren't my thing I guess!!! And even tho it was sunny---I got so cold doing this! About 2 hours of time. So we went down to the house for Lunch-----and to decide what to do for the pm. My friend had some Pastle Mat------we had never used it before. We pulled up a photo on a lap-top and composed from it. It was to cold to go back outside!! (really) And this is what I did---its a scene right in the back yard, but I left out the Mt. range back there.
Pastel Mat is an amazing surface to use---This was a medium grey----I just don't know how it takes the pastle, but it goes on like paint! Great Fun. ( I think "pastelmat" is one word?)
Pastel Mat is an amazing surface to use---This was a medium grey----I just don't know how it takes the pastle, but it goes on like paint! Great Fun. ( I think "pastelmat" is one word?)
Sunday, January 24, 2010
Would you like to see My latest Oil Plein-air?
I will just do this quickly--I got to go out one afternoon with Oil painter, Ray Freeman just before our most recent snow. It was a sunny PM, and we just went up above the ranch, under the trees and in the sagebrush. As usual, I had a hard time settleing on a subject to paint, but then, the subject is always the light---So, I looked at the afternoon light. Ray was also impresssed by the late PM sun-rays. This is what I came up with. I did paint on a small 9 x12 canvas board by Blick--with a raw sienna toned gesso over it. I like that very much, and the paint didn't soak in as fast. Now I have 3 attempts! and am very into do more. Today I got a goose-down set of bib-coveralls for cold days! Imagine. A cousin passed them on, and tho they are very large, they should work. Snow expected again tommorrow so I will do some drawing and pastles in doors. ' till next time!!!
Saturday, January 9, 2010
Friday, January 1, 2010
After the Holiday! New Years Day
Happy New year to all of you Artists out there, and many more. I do hope you made it thru the Holidays in good form. I had set aside doing artwork for the time although I did keep up with my drawing! To me, its the most important thing you can do along with reading about art, and thinking. I found myself hiking with all the family dogs one afternoon, which lead me to drawing some of them. I found some puppy pictures of the youngest, a Lab belonging to my son. Remembering a wonderful pastel by one of my most favorite artists', I began to wonder if I could even do it, create a painting of a very young innocent pup! Well, one must try! Especially if one doesn't like being cold outdoors! This is about 11 x 14 and is done on a greyish-purple canson paper.
This was the drawing, with a charcole pencil. I have read, and have been told if you use charcole, it will muddy your pastel color------then I have been told by others that it will not, charcole and pastel go together nicely. So, to me, the only thing you can do is to try it!! I have found using charcole to start a pastel on canson works wonderfully! Here, I am trying to get the expression I see in the dog from knowing him!
And I hope I have gotten that! Boomer is 2 now, and quite big! He was a big puppy, too, with a large square head that I wondered if he would ever grow in to. I love dog-sitting him, his love for life is quite apparent!Tuesday, November 24, 2009
Today's Plein-air .....Great fun!
Today was very special , and I am so glad the calm weather has prevailed this November! We need storms, but I so appreciated today! Ray Freeman, who is an Oil painter that lives in Nevada's Capitol City was out today for some plein-air work. We loaded up and drove not to far from my home, out on a dirt road where we had peace and quiet!
This is where we ended up, and even tho Nevada can get very grey in the winter months, there was color all around as soon as the sun would hit something! We talked "Composition", made plans and he helped me to begin. I did Oils today, and have not done this to many times. I worked very near to Ray, so I could ask questions and watch a real artist at work. It was great! He begins with shapes, and paints the dog before the fleas, which is a good thing to remember. I always want detail to soon. We used a split-complementary pallet. I felt that the thickness of the paints themselves were hard to get used to, but they were so beautiful and sparkly on the canvas board.
I will show you Rays' work as it really turned out well. I feel I have a long way to go, but I did enjoy today and my painting isn't awful ( just what it should be for a beginner!) After Ray left, I did a quick pastel of the spring on the hillside and was happy.
This is where Ray finished today, and he says he has about 30 min. more work he will do when he gets home. He will add some more darks where needed and sky hole in the red rose bush at left. I really loved watching this all happen and feel I learn a lot today. Can't wait for another good day such as this one was!Monday, November 23, 2009
limited palette study--fall
The weather in our valley has been in the 40's for daytime, and sometimes windy. Not to cold, but I felt cold so didn't paint to much---began thinking about using a square format and making it work without becoming to static---and getting it to show "Hugeness" This little ranch is on 14 acres along hwy 88 in the Carson Valley and belongs to cousins--noone living there now or since the late 8o's. Plein-air painters have been seen lurking about painting this scene and I even saw the result of one in the Southwest Art Mag. by Kathleen Dunphy. This scene is painted looking south, hers was painting looking north. I will try this is plein-air , and problay will do it in all seasons. This one was from photos, and on Senniler Pastel card.I will be out plein-air tommarrow and think I will try Oils! So 'till then, happy painting!
Wednesday, November 18, 2009
Changes made to Fall aspens
I had posted this on Wet Canvas, and read all the suggestions about making it better. While I had some things pointed out to me it was my plein-air painter friend that made the best observation. That would be Ray Freeman, a person who always puts compostion first. He told me two things I feel were important in improving this painting. First the lone sage in the lower left corner seemed to be isolated color wise----so I added more sage in front of the sunlit large rock and a bit in the middle ground. He also thought the line of the tops of the middle ground aspens with fall color was to identical to the top line of the mountain in the far background. I think this had bothered others as well, but we were not able to reconize what was the problem. So I changed that by getting rid of that line of trees on the left side of the compostion. I think I like this better and hope it puts a little more space into the scene. This one is 11 x 14, and on a firm board, 8 ply archival mat board that was coated with 2 coats of gesso--then goldens fine pumice gel. Made a great painting surface that was enjoyable to use and took watercolor very well. I will put this away, work on others then take another look at this and see if these changes hold up.
I must say the days are getting so short! And a lot cooler, we moved cows again today and shouldn't have to worry about them now for 2 weeks, then we move them to another pasture for the winter. I hope to get out there and do some plein-air in between things! Hope all of you have a Happy Thanksgiving !
Tuesday, November 10, 2009
In the meanwhile!
While I haven't been posting on my blog, I have been busy! Recently got 2 new books about NotAN and am studing these so as to get the "Idea" ingrained", and then use it! Edgar Alywin Payne used it, Maynard Dixon understood it, and Jane Hoffsetter has a great compostion book using it widely! And I am begining to get it. Also, the fall cattle worktime is here. We have fields along Hwy's, and also in the hills where the cattle have been all summer. Time to wean and ship! So, I thought I would post a few recent pictures of some right here at the Older part of the ranch along Hwy 88 in the Carson Valley. My son on his blue horse, and my dog holding them at the top of the lane.
Sunday, October 25, 2009
Alpine Artist Open Studio Tour
Its been awhile since I have posted. Fall is here and there is so much to do to get ready for winter! We raise black angus cattle, so there is that, and cutting fire wood, and yes, the Markleeville (Alpine County) Artists Open Studio Tour. I became a part of this this year, and it was held Oct 3 and 4th. Advertisment was handled by the founders of the organization. They printed brocheres, post cards ,maps and had it all ready early so there was enough time to get it out. I used the old garage on the Home ranch, as this is where I did most of my work, I love using an easal, standing so I can walk back and forth to see my work. Also, I spent a lot of time here with the senior member of the family as he lived his last years, Me with him , so he could remain in his own home. He passed this spring at age 95. He was very encouraging of my efforts, and even drew with me one day as we sat in the sun outside the garage door. So This is where I exibited what I had done so far. Some were watercolors, which I began doing in 01, then went to pastel as its something you can walk away from and back to, and its the same! This is door, with a friend peeking out!
This is the first group that arrived on Saturday. We had people all day. They were interested, nice, and really asked questions about how each painting was done. Fun for me! I had cards made of the paintings, and I did sell a lot of cards.
This is my sister helping the set up. We also had a huge pot of coffee, and cookies she , her granddaughter and I made. I did sell 4 paintings as well as the cards. Good for a beginner!
And Here is my sister, helping some folks as questions were always asked. It was fun to do all this.
And this is my most recent Pastel, on Black paper, mulit-media board, Great fun, But I was worried about the black paper fading with time and light, so I mixed Mars Black arcylic paint with Golden fine pumice and rolled that on with a foam roller. It made it nice and black, with tooth. The reference photo was a black and white taken in '84 of a cat who would come to visit. I Knick-named her "Leo"--and she was enjoying the last sun-light of the day. Black is very fun to work on, the colors just are brilliant. I used a lot of greys in this,(nuetrals)-- and no white at all.Monday, October 12, 2009
We finished the workshop in Hope Valley
The Week went fast, we had a great day in Faith Valley learning to do notans from nature, always working on design. It was a beautiful spot. Every one of the ladies did well. (yes, there were no men! Whats with that?) The last day, the weather was warm and beautiful. Aspens were beginning to go yellow, and the day was a nice one. Lorenzo ended the day with this really nice demo. It was like magic watching him make sence out of the brush in front of him. A great week .
One day in the Yellow sage--Chimesa.
A little about the Chavez workshop in Hope Valley
Lorenzo chavez gave an excellant workshop in Hope Valley Californa Oct 5 thru the 9th. I was lucky enough to go. I believe the Sierra Pastel society was behind this, it was beautifully arranged. The fall color hadn't quite made an appearance, and the weather did get a bit cold. It snowed the weekend before. I live 20 min. from the workshop site area. To start the workshop, Lorenzo had copies for everyone of a booklet he put together about the contruction of art, in plein-air. He gave a great lecture, with slides to point out what he ment--wonderful art by other artists as well---all about design. Maynard Dixon was refered to many times with his strong design in evidence. It was so cold outside that day, we did not mind the art talk and slide show. He explained the use of notans, and using the element of art for strong design. In the late afternoon, we went outdoors to watch a demo.
This was the start of the demo, it finnished quite nicely, but I don't have that shot.
This was the start of the demo, it finnished quite nicely, but I don't have that shot.
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